Mark Young (Rockhampton, Australia): from Geographies

from GEOGRAPHIES

TIERRA DEL FUEGO

The black hats draw on the
testimony of French combatants
in order to place the object in
a logical relationship to the rest
of the sentence. Mick Jagger
is no exception even though
he appears as an absent image—
all dharmas are ultimately empty
of any distinction that would
separate one dharma from
another. China looms large,
offering free audio pronunciation
of consumer-generated product
reviews. There are no rail-
ways. The beavers must die.

LOMBARDY

It was the spatial
frequencies at the
Fourier transform plane
& the presence of
defense attorneys
dressed in their best
suits that finally
brought him to belief
in the Big Bang theory
of the creation of the

universe.


THE TAKLAMAKAN DESERT

A fairly small
event in terms of
plate tectonics;
but the hard drive
ends up stripped
of all encrypted
data. Tabula rasa.


L'ARC DE TRIOMPHE

Storm surge, river-
boat casinos, the
biggest fertiliser plant
in the world, why
anyone would waste
over a pound of premo
in a giant joint are
some of the nettle-
some paradoxes of
democratic politics.


© Mark Young 2009

Kelley White (New Hampshire, USA): Two Poems

ART OF THE AMERICAS

i.
unhook the latch
blow off dust
lay on the table beneath a single dangling bulb
spine flat
slick leaves open
always to the tight black-lined woodcut
man on man
manu a manu
knife
blade
empty chest
heart beating overhead

ii.
It is said that Crazy Horse ate Custer’s heart.
This is not true. Buffalo liver, perhaps.

iii.
pyramid
disinhearted
throw the rib-shell over the priest’s shoulder

iv.
abyss

v.
this thing
this flabby old muscle
stilled
red and growing darker
fat encrusted
drying to tallow
gristle
in each chamber
one smooth green stone
marbled
like my eyes

vi.
ice arrest
watch
the saw cut
that grinding buzz
the dental whine

vii.
“hey babe,
I’ll give you water,
I already had
my wine”
(wants a dollar,
give him four bits)

viii.
you won’t answer
(the child had
no ear drum)

ix.
Henry carved a green stone heart
on a brass stand and marble base.
The children broke it.
No one confessed.
They were all punished.

x.
finger crook-and-pull
my own ribs
and still this hubbub

xi.
to become invisible
or rather:
the visible woman
clear plastic
head molded with Berry Crocker
hair
hips a little wide, perhaps
a babe in the womb
no

xii.
ectopia coridis
child with the heart
outside the chest
cordae
cordate
card
iac arrest
press
chest
repressed

xiii.
I will be this small stone you might carry,
the brass paperweight that warms
to your touch,
your mother’s, yours.
Replace my wound
with a stone.
Carry the stone.
Live stone
cold.


WHELK

in the city of sand
we build bone houses
we fear the wind
--it stings our eyes
with broken
monuments—


in the city of snow we shelter
in frozen breath—

in the salt city
we live inside our wounds
--we wait for the tongue
of our heavy god—

© Kelley White 2009

Jason Bredle (Chicago, USA): Three Poems

THE CONSTIPATION SWEATER

What if all of my interactions with others are a figment of my imagination
and I’m actually completely insane
is kind of an unsettling thought I had one day
so I wrote to you
lately I’ve been struggling with reality
and put reality in quotes
to emphasize the struggle
but I didn’t think struggle was the right sentiment
so I looked in a thesaurus but couldn’t find a better word
but did find give the old college try
and tried
to understand what that really means, the old college try,
but I don’t know if college was really real for me
or if all of my interactions with others were a figment of my imagination
and I was completely insane
is what you would’ve heard from me that day
if I hadn’t thrown the note away before giving it to you
because I was afraid you’d think I was completely insane
is something you should never say
to the meat department staff at your neighborhood Dominick’s
because they’ll think you’re completely insane
except for the really old guy who can’t hear anything,
he’ll keep yelling
what, what
and you’ll end up in a situation where you’re yelling all this to him
and others around you will think you’re completely insane
and the point here
is to keep this insanity thing
kind of on the down low
because you’ve spent time in the hospital
and you don’t want
to spend time in the hospital
because it’s so lonely and the gowns are so uncomfortable and the food
is so average
but mostly it’s so lonely,
the way nurses interrupt your sleep at night to replace your IV,
the way nurses wake you in the morning to take your blood,
the way the morning lasts forever and the hospital staff
places you in front of cartoons as if that's enough to get you through the day
but it’s completely maddening
and I’m so sorry for everything I’ve ever done that’s hurt you
because I didn’t mean to
is what I wanted to say that night
I returned from the hospital
and we ate dinner together
and watched Primer for the fifth time
but instead I asked if the nurse
who joked about taking my temperature rectally was flirting with me,
I washed the dishes and wrote The Constipation Sweater, about a sweater
you can wear that helps facilitate defecation.


PHOENIX VERSUS THE FLYING CHICKEN

If all this is happening on an infinite number of parallel membranes
and my life exists separately within each of those parallel membranes
then perhaps some of those existences
occasionally transcend membranes
through some type of telekinetic wormhole
and find their way
into my dreams
and I’ve actually been violently chopped in some of those existences
or my cats are not alive in some of those existences
or I died in a gruesome airline disaster above Mexico City
in March 2006
in some of those existences
which before that time I’d feared was my death dream
and after that time
decided was about how my girlfriend can sleep through anything
is something most people don’t imagine
other people are thinking
as they whip through Dominick’s
on their way home from work each night—
most people are rocking out to Yes’s Owner of a Lonely Heart,
buying tampons and peanut butter cups—
is something I hope to communicate to other me’s
who’ve never had this thought
on all those parallel membranes out there
is another example of something I should really try
to keep on the down low because others may interpret it as insane
is a thought I had one night as I whipped through Dominick’s
rocking out to Owner of a Lonely Heart, buying tampons and pbc’s
but the more intense part of the thought I had was
what if everyone in this place is having this exact same thought
and it’s what Trevor Rabin was thinking
when he wrote Owner of a Lonely Heart
and what if all the other me’s
on all those parallel membranes have already dreamt what I’m thinking
but it didn’t make any fucking sense to them
because those me’s strayed from the me who’s here
in Dominick’s right now
due to decisions they made I wish I’d made
that guided their lives to completely different places
where they have tampons and peanut butter cups but they’ve never heard
of Dominick’s
because they only have Penny Saver’s wherever they are
and they spend their days with refugees from war torn regions,
educating them
or nursing them back to good health
and they wonder
if those they educate or nurse back to good health ever wonder
if all this is happening on an infinite number of parallel membranes
and their lives exist separately within each of those parallel membranes
then perhaps some of those existences
occasionally transcend membranes
through some type of telekinetic wormhole
and find their way into their dreams
because it might explain
the meaning of the dream they had Dominick versus the tampon cup
the same way it might explain the meaning of my dream
phoenix versus the flying chicken.


THE NIGHT OF THE JAGUAR

Let’s say this emerges centuries from now in some type of post-apocalyptic
Dumont Dunes hellscape,
people are either going to be blasting around
from membrane to membrane impressed with my forward thinking
or not blasting around from membrane to membrane
amazed by my total insanity
and I expect the latter
is what most people at this point expect me to say to someone
at my neighborhood Dominick’s
because I don’t do very well
with keeping this insanity thing on the down low
but it’s not something most people expect me
to say to the pudding
at my neighborhood Dominick’s
and the reason I think the latter is because come on,
if you’re living in some type of post-apocalyptic Dumont Dunes hellscape
logic would dictate that earth has regressed
from where it is now
unless the educational divide has become so extreme
that the highly educated have wormholed their way
to more tolerable parallel membranes
and left this post-apocalyptic Dumont Dunes hellscape to those of us
who enjoy tearing into a good piece of meat with our hands
and pleading to our faithful squadron to
bring us the head
of Orpheus the Mighty
for the Night of the Jaguar is upon us
and blood will surely flow
red like the river Hades through this long ago forsaken hellscape
in which case
descendents, I salute thee!
is something we’ve all thought about at some point
as we whipped through Dominick’s on our way home from work at night,
but how many of us have outlined
everything we have in common with the jaguar
on the back of our grocery lists
in the hope that we might be revered
in the chance this future outcome happens?
Here’s mine:
We are both solitary, stalk-and-ambush predators.
We are both opportunistic in prey selection.
We both bite directly through the skull of our prey.
We both enjoy swimming.
We both range from Paraguay to México.
We are both compact and well-muscled, with robust heads and powerful jaws.
We both reach sexual maturity at three to four years of age.
We both practice aggression avoidance behavior.
We are both the national animal of Guyana.
Of course it’d be ridiculous for me to want to be worshipped for this type
of forward thinking
but I think revered would be nice
but I don’t know, in this scenario there’s probably not
a lot of reading going on
but instead a lot of heat and blood and dunes
and filth and false idolatry
but the good news is if someone does read this,
I’m not going to seem totally insane
because the Night of the Jaguar is upon us, my brethren,
and blood is about to flow red like the river Hades, red like the river Hades
as you go forth and bring me the head of Orpheus the Mighty!


© Jason Bredle 2009

Jean Vengua (California, USA): Three Prose Poems

#1

what do you think. half sleepy, once again on the other side of pain, ad nauseum, etc. she thinks about the angry blooms. how they emerge with such force, and with a little careful coaxing they give up black pollen. upended like that. turning volatile inside out, she can’t figure it. wants to sew it up tight with a needle and thread; wants a beginning and an end. she has a body and expects it to tell tales. a tale of a prehensile tail. well what does it have to say for itself? from which joint or talon or lip or tongue issues word? half a word. half a moan, then, in exchange for some tender strokes.


#2
a blossoming non-pain along the elbow, even to the shoulder. pain of short shrift and some dribbles of light, and there among the curved rafters under the breasts. soft containment, the flesh thinning with age. sometimes turning the tongue on a word. nipples that are concise, small territories, templed; and these, once dark, that have paled and lost their boundaries. shift shift click. the knee dreams of fluffy pews. the back of the neck dreaming of ice. the tongue dreaming of ribs. stretch marks pay tributary to the navel, a locked door, both sides. where once there was a vortex of blood, there are a few paths narrowing to a stop.


#3
she feels old. can’t understand she’s beautiful, even naked, plastered in signs and executed like once-perfect britney. “nudity is not a crime.” even when perfectly wet or close up, each hair is an aging fold, a suzanne, or a polly jean in the tub. the aesthetics speak imperfect and fleshy nouns. English wants to be precise. to be indirect is the best prescription. (sigh) i can’t stand these colors. the colors of autumn are electric collars for your gender. this muscle is a girdle that contains all erotics; although your erotics are not my erotics, we may meet in the middle (joined at the navel, so to speak). look: language falls down around my ankles, so revealing.


© Jean Vengua 2009

Adam Fieled (Philly, USA): Two Sonnets

BLANK SALT

A flaxen beacon in my brain—
how could you be more than
this: an Ideal Reader lapping
up my obscure literature on a
foreign continent, a fingered
box opened to strange whims,
a space mapping interstellar
distances, overdriven, in lust
overcome? Yet when I sit and
write this out I see how much
there is of you in me; I don’t
know how it happened, except
that you read yourself into my
body, an ocean of blank salt.


HOLES

It’s company of flesh and blood
I need, your blonde head beneath,
pillows scattered around us like
confetti, memories of loneliness
suddenly quaint as “thou,” your
feet in the air like hung mobiles,
all the thousands of words left
behind in throats overtaken by
cries (awe before near-extinction),
but you are not here, you are
just a lack, something scrawled
on a series of sheets, useful
only to tell me that words have
holes in them where nothing fits.


© Adam Fieled 2009

Paul Siegell (Philly, Pa): Six Poems

*ANSWER: A NEW ERA*

the road otherworldly, “anyone else wanna see themselves
******on tv?”
the road otherworldly, crisis leadership and a discount on
******decisions when we’d really rather pay full price
the road otherworldly, sometimes everything in the salad
******tastes like produce grown on another planet

pick up a couple even tho they might be slightly troublesome

the road otherworldly, truckers who haul hazardous cargo
the road otherworldly, hurried the urine shot through urethra
the road otherworldly, to be gradually gravitating toward
******“Nothing. What’s new with you?”

from the rooftops we watch for the meteors of metaphor

the road otherworldly, Abraham, Alabama, iIn my tears for
*****America: today just needs to get on with it and let us
*********go already
the road otherworldly, poem Obama, Optimus Prime, Obama
******on Mount Olympus: (shepherd a breathtaking backfire?)
*all the hopes for Obama bohemia—
the road otherworldly, my coworker just sneezed


*SCENE AT DUNG GATE*

With prayers left in the crevices, tour-guided Americans lean against
stone, lick vanilla, speak of Wailing Wall and how incredible.

Bareback on a beast, a Palestinian boy plods up, shows off for the brand named,
whacks his donkey’s neck with a stick, quick, made from black irrigation tubing.

“—Whoa!” go the Americans.

Smirks. Goes around the corner.

Tzit tzit dangling, yarmulke’d yeshiva boys carry planks of wood
into the Old City for Lag B’Omer bonfires. Picnic festive and family full.

Little, they use the wall, masonry a few feet high, to slide the planks and rest.
Ice cream Americans smile, say Shalom, giggle with and get outta their way.

Returned, boy-with-burden meets boys-with-firewood and the Holy Land
comes out of camouflage.

Each in each other’s way. Language is used. Grips on the planks of wood
change, tighten, raise, as does the irrigation tube—

“—Yeladim!” detonates down from an apartment window above.
“—Yeladim! Yeladim!” a barrel chest yells. Yeladim means children.


*it is its self to be*

out of an avid gale, a hurricane of shape-shifting persuasion, the line

“of being born a trumpet” steers its sharps into the audience of dance


moves & their domain names: am I not the notes being played as well?


no ordinary hit a-the old http://, such weight of wakeful conversation:

out of the clarion lift, in the calisthenics of the scenery, wide breaths

[esc] toward something



*weird about the way*

the greatest quiet
exists

betwixt the visual elixir
of emeralds

in Esmeralda’s ears.

related searches
in the avocado daylight

find the too

amongst the vacancies
of design

in a sold-out crowd
of cats wearing wheels.

but even then,

walking into the cough
of a Bono wannabe

’s got nothing
on the emptiest of inboxes.



*05.24.08 – JamontheRiver – Festival Pier, PA*
(—Thank You, Drew G!)

we pull up like a rickshaw
of firecrackers

he slips off his sunglasses, squeezes
drops in his eyes

fuses taunt the ticket-takers

ripped for Grimace, the Biscuits, the Flaming Lips

another
head
happening

dyslexics, diggers

out for the apple, falafel, seven bucks for a beer

audition obedient, starry-eyed

three girls with eyeliner
smirk, slink into their brainstorm-mindset headlands

tympanic membranes escalated, bug-eyed

a guy with earlobes stretched by eyelets: expanders,
the kind you can see through, pockets his lighter

speaker-pumped chest thumps

a security guard with bright orange plastic plugs
shielding him from the deafening—

we pull up like a rickshaw of firecrackers, eardrums
triumphant, irradiated

and raging


*toast: is this a joke?*
(—for M. Mayers)

in the event
of an attack

against the United States

or

the possibility
of

you-gotta-be-kidding-me

nuclear war,

feel free,
my fellow heads,

and get bombed

[…]

before dead.

Joseph Bradshaw (Portland, Oregon): Two Poems

IN THE TERMINAL

“the Roman god of borders, Terminus taught us our limits but also showed us the unknown”
Kathleen Peterson


In the terminal
shadows cast block
unyellowed light.

A room opens
to rooms, smaller
to larger, stucco

chipped, conceals
a swimming baby within
these walls, a

bird flown in through absent
chimney rustles
in the black that

separation
of heard and known.
In the terminal, stepping

from the house
we have written we are
in the house, we cross it

out with a dash placed
between us as if
to connect, as if

a house was there—
here
the T stands alone, separates

He stands, alone.
In the terminal, I
see him walking as

if crossing a bridge, nothing
stands between to hold
past to will.


THE BALLAD OF WEDNESDAY, A SPIDER
for Spicer


Wednesday
windy, eddies
before Thanksgiving.

A spider crawling
out the door
receives goodbye

the same as I
8 legs Wednesday
four Friday. Less

windy the sea-
shore in landlock
states: Shut the door

on a spider
Wednesday
the song goes:

Shut the door
or the words
we receive

a legless Goodbye
in this wedding
of Wednesday

a spider:
The saying of,
not the spoken of

Wednesday
Windy, eddies
before Thanksgiving

is hereby wedded
to a storm
a storm I said

The door is shut.
There isn’t a door.
Shut the door.

By Sunday
we won’t have any
need for that jar.


© Joseph Bradshaw 2009

K. Silem Mohammad (Oregon): Four Poems

GLAM BACKPACK


light me up
I got glam in my backpack

an inside-out cake
the c replaced with a k

cocked-up cock-
happy coachman

control … stimmung…
kill y’all


like an albino cobra
licking your arm nub

like a little old
cream box juice dog

the type of dog it is
le hot-dog


HOW SONGBIRDS DEAL WITH LARGE AMOUNTS OF SERIAL INFORMATION


I am the hardstyle pimp
I can barely read what people are saying
I have to decipher between tones
so I deem this a tonal study … or something

I’ve detected among Wyoming kidney damage lawsuit lawyers
the first threadbare reality sex to invade a tonal shift
a shift that’s swift and rather abrupt and I would contend
that no one here cares what you have to say

I bulked a tonal radiance through the used panties
uttering restrained and barefoot big real tits to myself, my god! looking about
I accompanied many marble dicks on tits bearing coffins
led by a tonal thing with a convenient head made of wax

a distant seven-shot metaphysical object terminating in a tonal hand
was not very hard-to-get-looking
having between its inorganic teeth a not-so-lonely chosen object
everybody knows you snort coke off of

Brian Eno and I would like some milk from the milkman’s wife’s tits
and big round chocolate rumps which were not such
as a tonal man would accumulate and preserve
not a tonal silence of centuries, but a tonal working sea … fuck you

umm, the neighbor wife in “more” gorgeous nylon panties
actually sings her tits off for once
they snuck a tonal spot on the grass outside for I had tested them
and overthrew the keynotes of the tits and the successors-in-spirit

a northwest flood of incomparable corruption
banished the upright jerking-off neo-rapture of go-go proportions
alas! however ultramodern I am of this
could it be that a big girl’s blouse covers up a pair of tits of greater than normal size

as for my tits they may perhaps fail of the fidelity they coach me
a growth of charming grass funnier than my head
their camps did fail because there was no grass
of no capital in which a tonal apartment can be so hired


I’M TIRED OF EATING LUNCH WITH CHICKS EVERY DAY (Signature, Event, Roast Beef)


hey, bitch, give me some roast beef
screw you, sexist

bitches who can’t read for context are of no concern to me
you can’t define men without making them separate from structuralist “hairy chasms”

which is really another way of making the claim that a signifier is haunted
by sustainable earth-friendly Tofurkey

for me the way to avoid the abyss
is to pursue a rhetorical low-fat food source

or go to Alaska
writing itself struggles over and over to go here

academic methodologism and paradigm-enforcement is just
far healthier for you than, say, Fresca

Dracula must be a werewolf though Canada for example
never learned how to get down on her knees eating Americans

the generation above getting in morphine and using guns and all that
the way history is conventionally about book proposals

they meet some son of a bitch who studied knife-fighting
they send his soul to psychoanalysis

I’m running with the “theory bitch” moniker
(is Madonna old enough to have a festschrift?)

whatever
what’s completely missing is a circular puzzle with no end

and really just leaving out
the beef and seeing how it comes out


UNTITLED


“exactly who are you and why is it
you have brought this wood here?”
Ray gestured at the pile of wood

he’s a maniac, maaaniac on the floor sexual
he would live fast and hard and burn
himself up then folks would say goddam
like you can discourage him
just by punching him in the face

broken hymen of a priest in disguise
with a pregnant girlfriend
Buddy had taken pictures of
them pulling down their jeans

she was a white woman of some “smoky days”
“soiled hands” and
“vacant”
“smell of steaks”
Calgary where dinosaurs left mystery

“persists to throb in my head”
is iambic tetrameter
not pentameter

is everything fricking untitled

oh yeah right who’s going
to worship a rock she replied
I love this job

Lars Palm (Sweden): pieces of lanzarote

turned out it's
a bar where the cab
drivers go for a
beer or two between
fares

.............


(bosnia/lanzarote)

jajce, yaiza
both towns
pronounced
almost exactly
the same
way by
the locals at
hand

.............

(note on informal employment)

in arrecife, as in las palmas, as probably in santa cruz de tenerife, as possibly all over the archipelago (& maybe elsewhere in the world) some of the homeless serve as half-official parking guides/attendants. for which they get a couple of euro from the drivers using the service. they divide the streets between them, usually downtown side-streets, & work from seven or so in the morning until nine or ten at night. the only criteria are that you be reasonably sane & sober during working hours

.............

most flies in town maintain
a deeply intimate relation
ship with poeple's feet

is there a weather fore
cast to be gained from
that? rain? of what?

or does it tell us more
about the flies & their
current fetish? now

seriously flies. in public?

..............

a house that
speaks. a beach
that moved. a
sun that plays
hide-&-seek, &
guitar

.............

pigeon
perched on
the back of

a chair waiting
to be
photographed

2

shutterbug
pigeon returning
to the chair

across the table
for another
photo

..............

(another kind of playground)

& in the middle
of rambla medular
in downtown arrecife
there is a temporary out
doors gym

..............

(poema de arrecife)

this apparently abandoned
ancient black dog turning
grey takes up guard behind
my stool at the bus station
bar first sitting then laying
down just looking around
& occasionally up at me as
if i could take him out of here

................

but who shall
tolerate who?

that is

who is in fact
superior to the other?

.............

(architecture)

would be easy building a house here. the basics are: white facade. no more than two floors. doors & window frames may have other colours, although the darker spectrum of greens seems to be the preferred one

.............

a house
burning on
the hillside
in a little
village called
la asomada
leaving the
village
significantly
smaller

..........

then with
out warning
the torrent
came &
flushed
the streets
& as
it appears
the minds
of
some of
the people
& the
stray dogs
splash
with every
step they
take

Chris McCabe (London, UK): Two Poems

THE MANNEQUINS

The Mannequins were premature –
Their suits too big –
Sport sacks catnapped shoulders –
And so they shared time –
Across wristwatches like grass –
Grasshoppers in a milk-dish –
While cameras grazed red bricks –
Swans at ease –
So the Mannequins took art careers –
Ice-cream vans carouselled in funny mirrors –
Began at a Gallery called –
WELCOME TO THE CRYPT –
As before, they arrived early –
To read over their notes –
And drink enough coffee –


MAGPIES

GUINNESS is a kind of meat
a sustenance

that stains us
(with excess)

the Teddy slick
of oil & cream

in 1 magpie’s tail –
it was not your heart

You said

that stirred beyond
the myth for this

– these –

killerwhale birds


© Chris McCabe 2009

Aidan Thompson (New York, USA): from Kind in Glass

From: Kind in Glass

4.
The confidence of the photograph entices
narratives that linger on a line of pine trees and
the arrangement of poppies bordering a path.
Will taking a walk in your illusion help table my
uncertainty or cradle waking for good? Or
should I follow the eye dashing across the
valley, traveling the whole range of light and
shadow until it depletes itself of facts and
climbs over the hill? This won’t prevent the
messenger from getting lost or dent the slope of
change tendriling the surface of chaos.
Nonetheless, I study the map as if having the
whole picture in one’s hands will contain
getting older. Time can never be fully embraced
or understood but rambling farmland, deceived
by cold stretches of weather, produces
character-building endurance, assuaging attacks
of precipitation, settling you in the loam, which
helps in the end. The tailbone compresses when
plowing furrows, while cross-fertilization colors
dreams and expands the range of creation,
although yellow is brash and obdurate with its
lemon taste and shrill of canary. I’d get up on an
orange crate and beat my chest, but the truth of
the matter is fruits have cleverly manipulated us
into spreading their genes. Malevich’s Black
Square and Red Square
has a way of
representing pigment that both minimizes and
amplifies, which is something like frogs never
hopping exactly the same distance or the same
way every time. We need the unpredictable or
we wouldn’t be able to create. Of course, I’d
never kiss a toad no matter how princely. Man
with a Hat
with its dislocated eyes, ears, and
lips is not rational or calculable, and the dawn—
blaring bluebirds and crows, trumpeting irises
and lilacs, offering their parts to bugs—has
always been immeasurable. Deep down we’re
all concerned with leaving copies of ourselves.


5.
We considered reason to be a laser beam
hacking away at doubt, but it turned out to be
the mind chasing its tail, yoking intuition into
sleep. Habit forms a relation between the worm
and its word that is as thin as lips, but then, the
wildness of an apple maturing on a tree, braced
against temperature’s ambiguity, is a hard act to
follow, especially when there are unceasing
variables circulating in the breeze. Routine
challenges because words do what they want,
and if we are alive, we will insist insistence is
better than repetition, never using the same
emphasis twice. Language is troublesome and
sometimes etymology, grammar, and meaning
struggle into a boat like shipwrecked mariners
to save themselves from furious killer whales.
Or is this a simple case of personification? “The
dew is all over us,” exclaimed the purple
morning glory with a yellow smile. Words are
little gloves for picking thoughts. She looks like
a sunflower tracing the sun, yet how can one
stand open mouthed considering the desert of
life when Arkansas has the country’s most
dazzling waterfalls? Questions absorb heat, act
as a motif repeating the familiar until someone
says, “I looked into that at one time but found
you could go too far.” He needed a short
humorous poem to fill the gap between truths
because meaning, like God, is dead. “Nothing”
makes itself felt in the flight between Arizona
and Alabama, but traveling from ennui to anger
made us aware of the subtleties in which life is
actually lived. Finally we could relish in the
sound of a key turning and the clip-clop of
hooves galloping to the gate. Mules on narrow
paths climb buttes stratified with russet and
lavender. It is quiet, not even a swallow song,
only stones humming with the sun on the edge
of a horizon. Once mystery arrives, it has a
negative capability to shine courage under
rocks. Or was it their ability to sit on the brink
that allowed them to feel a brush of a kiss in the
dark?


6.
A table means steadiness, even though
cascading fruit in the foreground teases my
original perception, convincing logic to take a
nap, or is this irony spinning in the corner? I fry
eggs and cry over my shoulder because the
cantankerous verb snorts and the all-sound
music of the future bursts forth on buildings
made of glass, taking America by form. Hang
on to your waist and laugh because revisions
shake and the equilateral triangle is stronger
than the box. Paradox is one way of fighting the
unpredictable. Then again, don’t we have the
world by a tale? I try to be a stylish person with
coifed pink hair, while the rosy rose in my right
hand droops with withered beauty. That's what
we do—one generation showing the other that
movement exists. Caught between the tilt of the
head and the crossing of arms over the chest, I
follow eyes following the arm following the
chalk across the board. Certainly you see what
is right. A guru holding a wineglass raises a
pinkie in the air and students write this down.
Carrying handfuls of liquid gives a knowing of
nowness, while resting on one's laurels in the
yard drops habit into a whole lot of nothing. Or
am I over investing in vastness and doubt? I
know the savagery of a tiger bursting into
flames can destroy expectations, but how else
can we contrast venal with vernal and the day to
delight in? Rambling in forests leads one to the
enjoyment of things as they come. It was a set
of whispers that had Bilbo tooting his own horn
in the fog, proving that the locus of meaning
resides in off-stage commotion, interrupting the
main action in the sun. I couldn't wrap my
illusions around pinnacle-like plots, so I jumped
into the sounding hole of his guitar, which had
me do-si-doing on epiphany's hat. I jostle and
overlap looking for the T-square and the
architect's table, but stasis has no
correspondence to satisfaction, even when we
carry it out the door.

© Aidan Thompson 2009

Cara Benson (New York, USA): from perhaps the festivities are what they seem

i wear a television set on my head. i tuck myself into the moving. holly leaves mingle with evergreen beside the flat. stop. everyone talking. and red sharps of fall bear the plaintive if only. telephone polls crucify the viewshed tilting toward the banks. clumps and tickles in the bog. what bridge will field the efforts to cross. i can hear you now. there is nowhere to look but gray. this will change. and change back. the morning is a summit to speechlessness. my squeaky voice can’t manage its files and outrage simultaneously. might as well pose under the smokestack while reading a text of refusal. i’m dry as a torn kite and not much better than the paper it came on.

...


like never to know which you specific you the universal royal deflecting-I you. hero you. glance over the shoulder mirror check. to whom it may or not. no ceiling fan in the forest but a bed of pine needles. floor rustles off trail cones dropping light rain breaking through what was that. turn to look hurry. but don’t. won’t can’t. whose these or thous. or are. running along easily tripping as if polyvectorally untethered falling face first into the broken argument. houses the logs the unsubstantiated shelter. oh forgiven. i will tell you about a haunting. how the moon comes in and what was committed. there’s no child now. out in the lake. donations have dried up & up. it’s broadcast daily the snow behind the image.



© Cara Benson 2009

harrykstammer (Los Angeles, USA): "Rub Ribs"

RUB RIBS

right (street) side less

join'd next "tap

it" foot left tape

(tape'd) glass

symbolic, order (ly) situate

broken step'd grass

high place'd

4x6 feet apart and front tire

turned "what?"

chair leg attached

unconscious what

(no)

up tire grass (april) tires

will be next

turn turn or

truck around (track dug)

crows eucalyptus

step sidewalk dirt (glass)

smirnoff broken

around turn (ing)

"next will be, it?"

back'd sandy "tow foot step" ribs

blink (ing) 'scious constant aware

eucalyptus nest'd foot

shoe step down

(not) "one syllable"

next bar

(less)

handle bar swing

(ing)

beat beaten

derivative

button (light) change

"blinks, blinking"

(the spectator) reach

"had, seem, too"

(ly) walking dirt (other)

street to

arm elbow in

(up) move

(ing)


© harrykstammer 2009

Jordan Stempleman (Kansas, USA): from Awfully

from Afully

1.

I am Jim.
I am terribly worried

in the unease
of fact. I often

find myself thinking,
minus breathing, minus temperature,

minus, in addition,
or perfectly involved, there

we all grew,
there, all still grows.

I often feel
left out. I know,

sure, after time,
it’s only a matter

of time before
I, or someone else

lays down blanket
by the bush, and

calls out, hey,
fatboy, you’re still growing—

you still grow
and gain, happily or

tearfully as you
must—so she wept,

so we weep
for you, as surely

as you noticed
us, we too notice

you. It’s difficult,
I know. I’m Jim,

Jim can’t control
himself. This is why

Marie began quoting
from Boyle’s General History

of Air
, then
she truly cried enough

for all things
solid, and all things

skinned. And fatboy
was no longer there.







2.

It was then,
when I first met

Marie, and she
loved how often, truly

often, I’d exclaim
goddamnit after I thought

things weren’t going
my way, that she

knew how Jim
was just being Jim.

I’m so scared
of all known anger,

any unreasonable way
of response, but she

isn’t. Marie loves
what may happen next.

I love Marie.
This is not according

to plan. This
is by no means

to avoid suffering.
This is what happens

when many times
continue to add up

and go well
for a long time.

I’d read somewhere,
there’s such a thing

as cloth calendars.
Though, I’ve never seen

a cloth calendar
before in my life,

and I’m thinking,
these soft, well-built calendars

are just right
for living. They do

what Marie sometimes
does with memories: freezes

the impossibly heavy
things that they are

into flexible, visual
encounters, that are right,

right for keeping.
I just get angry

with my memories
since they don’t do

what I want
or smell at all

how they did
when time was waiting

to claim them.
I once read, somewhere,

all self importance
comes from our memories,

and so, yes,
I became terrified, then

angry, so angry.
I began to imagine

a world without
the Greeks, or anyone

who so wanted
original realities to remember

their former lives.
What? But my childhood,

overcoming death, this
attitude I have, this

woman I’ll soon
forget. I’m so insensitive

to my wondering
of where we’ve been,

I tell Marie.
She knows. She knows.









3.

In random order
there was being hired

by associates, birth,
unusual intensity, and another

sun going down.
I said to Marie,

it is impossible
to tell which form

got to me
first. I truly believe

though, quietly, since
I don’t yet truly

believe, that intensity,
some very unusual intensity

is to blame.
She then got up

from her chair,
opened up the door,

the front door,
walked out, then closed

the door, then
waited a few minutes

before coming back
in and sitting down.

I can’t believe
how you’ve changed, really

changed, she said.
While I was gone,

tell me, what
did you settle for?

Change, I said.
And the impersonal way

I can be
with myself, really impersonal.

Then some imagining,
then more and more

of my quiet.
There is nothing I

can think of
like the panic, my

panic, that grows
so fondly in quiet.








4.

Very few people
know me as Jim.

It’s so puzzling.
Often, when I’m out

eating somewhere, or
shopping with Marie, someone

will approach me
and say, hey buddy,

whendyoustop returning mycalls?
I don’t make calls,

I tell them.
My name’s Jim, not


whatever you said.
Which comes out wrong

all the time,
so then I smile

embarrassingly, more embarrassingly
than I mean to

to make up
for being a stranger.

Marie keeps insisting
this makes things worse,

perhaps by pretending,
just pretending a little,

for a moment,
that I knew them,

or wanted to,
I could make friends

with some person
that has lost someone

they really hope
to find. But awkwardness

is so standard
in such a simple

life. In strangeness,
alone, or with Marie,

I feel fine.
But when I’m mistaken

for someone’s life
that I took nothing

from, or gave
nothing to, I’m stranded

to remember who
I might possibly be.


© Jordan Stempleman 2009

Kristen Orser (Chicago, USA): (well enough for a mood)

(well enough for a mood)


Proof:

1. a light snow has fallen everywhere.
2. breathing is not difficult.
3. Thought is fern-like—



February (!) on a knoll is a standing lie. Is shaken
from center to circumference.




Much whispering and (bitter) fruit: Four stillborn—



(blue color in our spleen)


If I appear to be tiptoed, keep only my head:


A large neon red heart
on the side of a castle.


This is an image and also an identical question: Will it rain?



It's already heavy with autumn. Overseas, the polars are an artifice,
there are women who resemble violins and think, in orange color,
about how many times they wanted to have sex but didn't have sex.

When my blood is cold, I think about how I would look at someone
if I had paddled across the ocean to meet them.



(something to have suspicion of)


In the beginning of history, the longer necked women agreed to desire rain. But the myth of the self and, worse, the myth of the sleeping self, cut desire short.


Blue fire: Think a woman's face
Likely daybreak: Bones
Winter : As a symmetrical vocabulary


The frightened sky eats the heads off men—All women become left handed. In this possible moment, the alphabet and the volcano cannot disguise the new

question—What is in the distance?




(wish. often slow)


Sudden impulse is surprise, is—

A seizure brings considerable stillness,
never the romantic fireworks or skin
turning to stone.


In the distance— You! I am accumulating
as the sky loops and arrives

at the time when the daisy slicer has an asthma attack and the child grows a useless wing. I skip a period. I consider changing into a tree, some kind of revolt against the guilt of a double, the many times I've called someone mine.




(to tend arrival)


My not-period is not subjective—The whole day is east, waiting for a detailed subject taking the shape of a fetus. The root, according to the seed, chooses the hour of everyone waking up as the hour to dream a question:


Me is only a disguise?

(I disguise you for me and hold, disappear—)


In the practice of ripening, I pull out my eyes (gradually with me—gradually, gradually) and show you the third and innermost layer of tissue.


(No, I haven't bled this month and yesterday was parallel,
but we acted for tomorrow. For—The space between our
two coasts, traced by our circling toes in the air, is the space
we seek to obtain.)



(finishing foot)


If atmosphere carries,
the layer of the flower will keep our malignant heads in motion:

It's the lower part of me that thinks it's a boy,
but I am a pear
. I consider a similar question:


What (who?) is the pursuant?


The lost swan forgets its own body and withdraws into soft porcelain. It isn't until spring when someone arrives to disappoint the sitting lily. To ask a dense question about infinity.


© Kristen Orser 2009